[vc_row][vc_column][vc_single_image image=”3977″ img_size=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]MODEL
\n80 X 60 CM
\nA\u00d1O 1965
\nOil on blanket technique<\/p>\n

This is one of the first profesional paitings done by the artist.
\nIn it, we can appreciate the diffrent technices and styles that were beginning to develop in XIX century art schools across Europe. Especifically in France, where modernist tendencies were giving way to more relaexd and creative styles, leavinhg behind the rigorous traces of classical paintings.
\nThis live model painting was created in a studio inside of \u201cLa Esmeralda\u201d art school, where Quessada used a pointillism effect, with pure colors, which helped him cr\u00e9ate a subjective image that could be judged in diffrent ways, depending on who the espactator was and the distance from where the espectator was looking.
\nThe greatest representative of this technique, also called neo-impressionism, was the french paintor Georges Seurat (France, 1859-1891)[\/vc_column_text][vc_raw_html]JTNDaWZyYW1lJTIwc3JjJTNEJTIyaHR0cHMlM0ElMkYlMkZhbmNob3IuZm0lMkZtdXNlby1qb3NlLXF1ZXNzYWRhJTJGZW1iZWQlMkZlcGlzb2RlcyUyRk1vZGVsLS0tUm9vbS0xLWUxOTVycmMlMjIlMjBoZWlnaHQlM0QlMjIxNTBweCUyMiUyMHdpZHRoJTNEJTIyMTAwJTI1JTIyJTIwZnJhbWVib3JkZXIlM0QlMjIwJTIyJTIwc2Nyb2xsaW5nJTNEJTIybm8lMjIlM0UlM0MlMkZpZnJhbWUlM0U=[\/vc_raw_html][\/vc_column][\/vc_row][vc_row][vc_column][vc_row_inner][vc_column_inner][vc_custom_heading text=”Gallery Room 1″][vc_separator][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner][vc_masonry_grid post_type=”post” max_items=”10″ grid_id=”vc_gid:1634925387530-14101a79-d5bc-0″ taxonomies=”135″][vc_separator][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_single_image image=”3977″ img_size=””][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]MODEL 80 X 60 CM A\u00d1O 1965 Oil on blanket technique This is one of the first profesional paitings done by the artist. In it, we can appreciate the diffrent technices and styles that were beginning to develop in XIX century art schools across Europe. Especifically in France,…<\/p>\n","protected":false},"author":1,"featured_media":3977,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"gallery","meta":{"footnotes":""},"categories":[135],"tags":[],"class_list":["post-4137","post","type-post","status-publish","format-gallery","has-post-thumbnail","hentry","category-room-1","post_format-post-format-gallery"],"_links":{"self":[{"href":"https:\/\/www.museojosequessada.com\/wp-json\/wp\/v2\/posts\/4137","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.museojosequessada.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.museojosequessada.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.museojosequessada.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.museojosequessada.com\/wp-json\/wp\/v2\/comments?post=4137"}],"version-history":[{"count":2,"href":"https:\/\/www.museojosequessada.com\/wp-json\/wp\/v2\/posts\/4137\/revisions"}],"predecessor-version":[{"id":4206,"href":"https:\/\/www.museojosequessada.com\/wp-json\/wp\/v2\/posts\/4137\/revisions\/4206"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.museojosequessada.com\/wp-json\/wp\/v2\/media\/3977"}],"wp:attachment":[{"href":"https:\/\/www.museojosequessada.com\/wp-json\/wp\/v2\/media?parent=4137"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.museojosequessada.com\/wp-json\/wp\/v2\/categories?post=4137"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.museojosequessada.com\/wp-json\/wp\/v2\/tags?post=4137"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}